In our Arab societies we still suffer from hypocrisy. The way they solve problems is by covering them and pretending they don't exist....
This is highly used in architecture for example. I remember in one of my jury session for my graduation project. An architect working with GAM made a comment which illustrate that.
In my project I designed a bridge between my project and a refugee camp just across the road from my site. She didn't like that. And told me that usually we should hide unpleasant scenes by creating walls and paint them nicely... !!!
Hide them and pretend they don't exist!!
How many times have you been confronted for being honest and not hiding your true feelings behind the screen of politeness...
You see around you smiling faces that will diss you the minute you turn your back...
All hiding behind the perfect Arab facade...
Showing posts with label architexture. Show all posts
Showing posts with label architexture. Show all posts
Wednesday, April 21, 2010
Sunday, November 01, 2009
Why I didn't become an architect!
Yesterday I read an article by Orhan Pamuk titled "Why I didn't become an Architect" from his book "Other Colors".
In this article Pamuk starts with a journey he took to one of the underprivileged sites of Istanbul where he walks into buildings that had very different past than their current present. He talks about how people came to live in buildings that were built by outsiders of Istanbul... and he had some interesting insights about who at the end the architecture aims to serve!
From this he take us to a decision he made as a third year student of architecture to drop architecture and change his career to become a writer and a novelist... He describes the difference for him between empty sheets that were waiting for "modernist" architectural designs and between empty sheets that were waiting for "his" words...
He ends his article with more reflections about architecture and the-serving-who dilemma as he walks in the ruins of the aftermath of the earthquake that hit Istanbul in recent years.
Through his personal recollections of his decision... he gave me a better understanding of my own choice to stop practicing architecture...
Later on last night I had an interesting phone call from one of my good friends who happen to be an architect though now she is more of an urban designer.
And I was sharing with her my reading... and I found myself expressing my own reasons of leaving architecture...
Probably the first detachment between me and architecture happened when I was taught history of architecture... through these courses I was somehow taught to appreciate architecture and master pieces through their images. So what was designed to be an experiential space was projected through lenses and prints into a see-and-admire experience. I truly understood the depth of this problem when I had the chance to visit famous buildings while I was at the USA. When I went to see the Guggenheim in NY... I was brought into tears... standing there in the massive lobby gave me an experience which I can't put into words let alone images... I felt something...
My second detachment happened when I couldn't relate the big talks and deep concepts that some of my fellow classmates would come up with... and I forcing my self to see the reflections of these concepts in their designs.. but all in vain... I would be standing bewildered and left to think I'm less than the rest of them... because my concepts were not projected as I wanted into my spaces...
This feeling got even worse when I started meeting up with the big names of Architecture at our Amman... and even worse when I did my internship at the company of one of them....
====
Being myself the daughter of an architect... my father... is the type of architects that you should make a film about... my father embodies the real architect struggle to be an architect in a society dominated by empty concepts or trendy designs... [coming to think of it... I should make a film about my father... just like Nathaniel Kahn did "My Architect"]
My father supported my decision of leaving architecture behind... though I know that he is much in love with architecture... for him... architecture is creating a place where a person can feel... that is the only concept my father ever followed in any of his designs... His style of architecture has changed according to time, place and his own maturity... maybe one of these days I should blog about his work...
====
But now back to me and my reasons of leaving architecture...
I stopped at the big talk of the big names... as I said... after working for one of them... I realized that architecture as it is being used is not in harmony with who we were and who we aim to serve...
After that... I graduated and joined the working force... I began to read for Rem Koolhaas... the more I worked... the more I read... the more a nagging voice inside of me got louder...
Until the day I decided to liberate myself... from "... the obligation to construct..."
I turned all my creative abilities... all the crazy concepts and ideas that were rattling inside of my head into different media which for me made sense.... and felt more natural...
Now, I don't feel any need to be pretentious... to add any glamor to my products... I express myself... and I don't do that to serve anyone... yet somehow I'm serving more now than I ever did... or thought I would...
The way I see it... The problem with architecture is that it is used to glorify the architect's mind and visual abilities... or maybe as Pamuk said to serve his/her imagination...
Architecture as I was taught and seen practiced is creating empty spaces... and for that reason I left architecture....
In this article Pamuk starts with a journey he took to one of the underprivileged sites of Istanbul where he walks into buildings that had very different past than their current present. He talks about how people came to live in buildings that were built by outsiders of Istanbul... and he had some interesting insights about who at the end the architecture aims to serve!
From this he take us to a decision he made as a third year student of architecture to drop architecture and change his career to become a writer and a novelist... He describes the difference for him between empty sheets that were waiting for "modernist" architectural designs and between empty sheets that were waiting for "his" words...
He ends his article with more reflections about architecture and the-serving-who dilemma as he walks in the ruins of the aftermath of the earthquake that hit Istanbul in recent years.
Through his personal recollections of his decision... he gave me a better understanding of my own choice to stop practicing architecture...
Later on last night I had an interesting phone call from one of my good friends who happen to be an architect though now she is more of an urban designer.
And I was sharing with her my reading... and I found myself expressing my own reasons of leaving architecture...
Probably the first detachment between me and architecture happened when I was taught history of architecture... through these courses I was somehow taught to appreciate architecture and master pieces through their images. So what was designed to be an experiential space was projected through lenses and prints into a see-and-admire experience. I truly understood the depth of this problem when I had the chance to visit famous buildings while I was at the USA. When I went to see the Guggenheim in NY... I was brought into tears... standing there in the massive lobby gave me an experience which I can't put into words let alone images... I felt something...
My second detachment happened when I couldn't relate the big talks and deep concepts that some of my fellow classmates would come up with... and I forcing my self to see the reflections of these concepts in their designs.. but all in vain... I would be standing bewildered and left to think I'm less than the rest of them... because my concepts were not projected as I wanted into my spaces...
This feeling got even worse when I started meeting up with the big names of Architecture at our Amman... and even worse when I did my internship at the company of one of them....
====
Being myself the daughter of an architect... my father... is the type of architects that you should make a film about... my father embodies the real architect struggle to be an architect in a society dominated by empty concepts or trendy designs... [coming to think of it... I should make a film about my father... just like Nathaniel Kahn did "My Architect"]
My father supported my decision of leaving architecture behind... though I know that he is much in love with architecture... for him... architecture is creating a place where a person can feel... that is the only concept my father ever followed in any of his designs... His style of architecture has changed according to time, place and his own maturity... maybe one of these days I should blog about his work...
====
But now back to me and my reasons of leaving architecture...
I stopped at the big talk of the big names... as I said... after working for one of them... I realized that architecture as it is being used is not in harmony with who we were and who we aim to serve...
After that... I graduated and joined the working force... I began to read for Rem Koolhaas... the more I worked... the more I read... the more a nagging voice inside of me got louder...
Until the day I decided to liberate myself... from "... the obligation to construct..."
I turned all my creative abilities... all the crazy concepts and ideas that were rattling inside of my head into different media which for me made sense.... and felt more natural...
Now, I don't feel any need to be pretentious... to add any glamor to my products... I express myself... and I don't do that to serve anyone... yet somehow I'm serving more now than I ever did... or thought I would...
The way I see it... The problem with architecture is that it is used to glorify the architect's mind and visual abilities... or maybe as Pamuk said to serve his/her imagination...
Architecture as I was taught and seen practiced is creating empty spaces... and for that reason I left architecture....
Friday, May 08, 2009
The Looking Glass Room!
Inspired by Alice's conversation with her Kitten about the Looking Glass house... I gave my interior architecture students a chance to become Alice...
I gave my students three famous living rooms; one in Villa Savoye by Le Courbsier, another in Vanna Venturi House by Robert Venturi and the last in Budenburgh Haus by Foster and Partners.
After analyzing the given room and the general house where it is located, each student became Alice and had to walk through the Looking Glass into the adjacent room to the one given.
The function, size and character of the room was to be designed according to a story that students had to come about the current client of the house. Students had to be fantastical in their approach by means of exaggeration, apposing statements, or augmentation of reality.
As presentation means I asked my students to learn and apply water coloring techniques... and to make it a bit easy on them I didn't ask for a model.
The results were pretty good in general... the concepts were a bit direct, though some students did embrace the project completely...
As for the application, students showed a deeper level of maturity as interior architects. They paid more attention to details.
I didn't ask them to design their furniture but if they picked a piece of furniture they had to explain why...
One point that were given to me by the Jurors was why students didn't think of how their new imposed rooms would've changed the overall character of the existing houses. [Thanks to Arch. Hazem Turk and Arch. Lana Tahboub from CC for being great jurors]
And here are the students works:
= Villa Savoye
:: Mudaffar Ma'aitah
In his room, Muddafar had a man and his wife with two hobbies; fencing and dancing. He created a space that is cut into two halves with two different characters. Masculine vs Feminine... These two sports depend highly on footwork so Mudaffar made the union between the man and woman be in a one unified flooring. His concept is strong. But his implementation lacked the extra step that would have made it a real bold statement.


= Vanna Venturi House
:: The Black Hole | Amina Sh. Hassan
Amina said that Mrs. Venturi is kleptomaniac. So behind her innocent look she had a secrete life. So Amina designed a normal looking living room that works perfectly with the rest of the house but behind or inside the room there are secret nooks where Mrs. Venturi hides her stolen stuff. Amina played it smart by creating a safe design with this tiny twist to everything. Amina had the best water color presentation among her group. I still think that Amina could've gone wilder in implementing the two opposing sides of the room.


:: Vintage Modernism | Ridab Soudani
Ridab had the most challenging concept. She was playing around the concept of post modernism as rejecting modernism and accepting historical references and modernism rejecting history and accepting functionalism. To apply that she picked famous modern furniture and imposed history on them by using old rustic materials and in some cases stripping them from their functionality. Ridab's implementation didn't take its full extent to produce a mature end result. Though the project hold high potentials for example in the giant art piece that featured Mies Van der Rohe's chair in rusted cooper.. The room lacked a good functional layout with furniture lacking to complete the identity of the room.


:: Sara Khatib
Sara had the story of Mrs. Venturi being an illusionist. Sara started playing well with the idea of creating illusions out of her space but as she went into the details somethings were out of tune.
Sara chose to build her room on top of an existing room and create a hidden stairs that take the client up to that room. The geometry of the room was trapezoidal. Sara picked some interesting pieces of furniture but in general the room lacked the functional appeal in terms of furniture layout.


= Budenberg Haus
:: The Chamber| Dalia Muslih
Dalia created a room on top of the existing room as well. But the function was different. She created a workshop studio for her ship maker client. But the client wanted a bathtub next to his working area where he can relax and have a view at the canal in front of the complex. Dalia had a smooth design development though still her design didn't reach its climax.


:: The Poseidon Room | Ruba Yaghmour
Ruba chose to design a bedroom. Her focus point in the bedroom was a hanging aquarium that was partly inside the room and partly outside it. Ruba played around the relations between in-in and in-out. She created a narrative that starts with a sliding door that connects the bedroom with the living room and then the hanging aquarium which is a reminder of the canal outside and then the window wall that connects the inside intimacy of the room with the outside scenery.
Ruba had a simple but a concise concept and that served her well in implementing it.


:: Shadia Jaber
Shadia also designed a bedroom. But driven by the apple trees she played around notions of seduction, temptation and intimacy. She created a narrative corridor that led to her room. She used mirrors to create the illusion of unfolding the space gradually as you walk to the room. She had an idea of designing an apple tree chandelier but she didn't manage to design a visually appealing one.
Her design is bold in concept but still shows timidity in application.


:: Interior Architecture First Project
:: Originally at SABE Reconnaissance
I gave my students three famous living rooms; one in Villa Savoye by Le Courbsier, another in Vanna Venturi House by Robert Venturi and the last in Budenburgh Haus by Foster and Partners.
After analyzing the given room and the general house where it is located, each student became Alice and had to walk through the Looking Glass into the adjacent room to the one given.
The function, size and character of the room was to be designed according to a story that students had to come about the current client of the house. Students had to be fantastical in their approach by means of exaggeration, apposing statements, or augmentation of reality.
As presentation means I asked my students to learn and apply water coloring techniques... and to make it a bit easy on them I didn't ask for a model.
The results were pretty good in general... the concepts were a bit direct, though some students did embrace the project completely...
As for the application, students showed a deeper level of maturity as interior architects. They paid more attention to details.
I didn't ask them to design their furniture but if they picked a piece of furniture they had to explain why...
One point that were given to me by the Jurors was why students didn't think of how their new imposed rooms would've changed the overall character of the existing houses. [Thanks to Arch. Hazem Turk and Arch. Lana Tahboub from CC for being great jurors]
And here are the students works:
= Villa Savoye
:: Mudaffar Ma'aitah
In his room, Muddafar had a man and his wife with two hobbies; fencing and dancing. He created a space that is cut into two halves with two different characters. Masculine vs Feminine... These two sports depend highly on footwork so Mudaffar made the union between the man and woman be in a one unified flooring. His concept is strong. But his implementation lacked the extra step that would have made it a real bold statement.
= Vanna Venturi House
:: The Black Hole | Amina Sh. Hassan
Amina said that Mrs. Venturi is kleptomaniac. So behind her innocent look she had a secrete life. So Amina designed a normal looking living room that works perfectly with the rest of the house but behind or inside the room there are secret nooks where Mrs. Venturi hides her stolen stuff. Amina played it smart by creating a safe design with this tiny twist to everything. Amina had the best water color presentation among her group. I still think that Amina could've gone wilder in implementing the two opposing sides of the room.
:: Vintage Modernism | Ridab Soudani
Ridab had the most challenging concept. She was playing around the concept of post modernism as rejecting modernism and accepting historical references and modernism rejecting history and accepting functionalism. To apply that she picked famous modern furniture and imposed history on them by using old rustic materials and in some cases stripping them from their functionality. Ridab's implementation didn't take its full extent to produce a mature end result. Though the project hold high potentials for example in the giant art piece that featured Mies Van der Rohe's chair in rusted cooper.. The room lacked a good functional layout with furniture lacking to complete the identity of the room.
:: Sara Khatib
Sara had the story of Mrs. Venturi being an illusionist. Sara started playing well with the idea of creating illusions out of her space but as she went into the details somethings were out of tune.
Sara chose to build her room on top of an existing room and create a hidden stairs that take the client up to that room. The geometry of the room was trapezoidal. Sara picked some interesting pieces of furniture but in general the room lacked the functional appeal in terms of furniture layout.
= Budenberg Haus
:: The Chamber| Dalia Muslih
Dalia created a room on top of the existing room as well. But the function was different. She created a workshop studio for her ship maker client. But the client wanted a bathtub next to his working area where he can relax and have a view at the canal in front of the complex. Dalia had a smooth design development though still her design didn't reach its climax.
:: The Poseidon Room | Ruba Yaghmour
Ruba chose to design a bedroom. Her focus point in the bedroom was a hanging aquarium that was partly inside the room and partly outside it. Ruba played around the relations between in-in and in-out. She created a narrative that starts with a sliding door that connects the bedroom with the living room and then the hanging aquarium which is a reminder of the canal outside and then the window wall that connects the inside intimacy of the room with the outside scenery.
Ruba had a simple but a concise concept and that served her well in implementing it.
:: Shadia Jaber
Shadia also designed a bedroom. But driven by the apple trees she played around notions of seduction, temptation and intimacy. She created a narrative corridor that led to her room. She used mirrors to create the illusion of unfolding the space gradually as you walk to the room. She had an idea of designing an apple tree chandelier but she didn't manage to design a visually appealing one.
Her design is bold in concept but still shows timidity in application.
:: Interior Architecture First Project
:: Originally at SABE Reconnaissance
Wednesday, May 06, 2009
Asking it to last...
"How enduring, how we need durability... The sky before sunrise is soaked with light... Rosy colour tints buildings, bridges, and the Seine.... I was here when she with whom I walk wasn't born yet, and the cities on a distant plain stood intact, before they rose in the air with the dust of sepulchral brick, and the people who lived there didn't know. Only this moment, at dawn, is real to me.... The bygone lives are like my own past life, uncertain. I cast a spell on the city, asking it to last...." In Twilight by Czeslaw Milosz
Listen to Shadow Journal by Max Richter...
Listen to Shadow Journal by Max Richter...
Labels:
Amman,
architexture,
crazy life,
ecstasies,
poetry
Thursday, February 19, 2009
Interior Architecture Studio | Take 1
After having a hibernation... I'm back to teaching on my own... This semester I'm teaching interior architecture students at GJU....
For this first class in studio... I gave them a quick exercise where I divided them into three groups and gave each a limited space, a drafting table and a chair.... then I asked them to design the space as they want... and that they can borrow whatever objects they can find around them...
The main objective of this exercise was to do the first act of interior design a human has made which is to arrange and re-arrange existing elements to accommodate a certain function...
The first group... made their cramped space into a small second hand clothing shop... as a set design I think they did well... but as interior designers they had a lot of mistakes in using up the space...


The second group... designed their space as a living room... they had manipulated the table quite well and made good use of their coats and jackets... The only problem they had is that they made some redundant additions...


The third group tried to go into abstraction and had two or three different ideas before landing on this one... which was designing a corner for a pianist... their design is what we call "Safe Design"... which means nothing wrong in it... but... not quite creative... however... they had again used elements effectively and they had put a lot of thinking in it...

For this first class in studio... I gave them a quick exercise where I divided them into three groups and gave each a limited space, a drafting table and a chair.... then I asked them to design the space as they want... and that they can borrow whatever objects they can find around them...
The main objective of this exercise was to do the first act of interior design a human has made which is to arrange and re-arrange existing elements to accommodate a certain function...
The first group... made their cramped space into a small second hand clothing shop... as a set design I think they did well... but as interior designers they had a lot of mistakes in using up the space...
The second group... designed their space as a living room... they had manipulated the table quite well and made good use of their coats and jackets... The only problem they had is that they made some redundant additions...
The third group tried to go into abstraction and had two or three different ideas before landing on this one... which was designing a corner for a pianist... their design is what we call "Safe Design"... which means nothing wrong in it... but... not quite creative... however... they had again used elements effectively and they had put a lot of thinking in it...
Thursday, November 13, 2008
Texture of Amman IV
While walking around Jabal Al-Qala'a ... with students of basic design...











:: Previously : Textures of Amman, Textures of Amman II, Textures of a building site, Texture of Amman III...
:: Previously : Textures of Amman, Textures of Amman II, Textures of a building site, Texture of Amman III...
Monday, October 06, 2008
Texture of Amman III
While Walking around Rainbow Street...











:: Previously : Textures of Amman, Textures of Amman II, Textures of a building site...
:: Previously : Textures of Amman, Textures of Amman II, Textures of a building site...
Tuesday, September 23, 2008
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